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Songs on the kalimba

Seventy-six of the hundred. Not one of the missing twenty-four was refused for being too big - the board is wider than every one of them.

What this instrument has got

17 notes, C4 to E6 - a reach of 28 semitones, built from 7 pitch letters: C D E F G A B. Everything below follows from that row.

  1. C4
  2. D4
  3. E4
  4. F4
  5. G4
  6. A4
  7. B4
  8. C5
  9. D5
  10. E5
  11. F5
  12. G5
  13. A5
  14. B5
  15. C6
  16. D6
  17. E6

Why 76, and not 100

Seventeen tines, tuned to a plain major scale from C4 up to E6. That is a reach of over two octaves, comfortably more than any melody in the catalogue asks for.

What it has not got is a single sharp or flat. Every song it turns down is turned down for its notes, not its size: one accidental anywhere in a tune and there is no tine to play it on, in any key. The two dozen that are missing are the two dozen that modulate or lean on a chromatic passing note.

The other side of that limit is the reason a kalimba is a good first instrument: on a board with no wrong notes, a beginner cannot land on one.

Counted: 0 songs are wider than the instrument, and 24 fit the span and are still refused, because somewhere in them is a note this instrument has not got.

Where the tunes sit

Of the 76 it plays, 41 are taught at written pitch , 21 move a whole octave - same note names, different register , and 14 change key altogether, which is what a player does when they pick up an instrument tuned to something other than C .

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Easy 40

Medium 21

Hard 15

The same catalogue, other instruments

One song list, nine instruments, and every one of them meets it differently.